“the rooftop location provided a bird’s-eye view of both sides, adding a layer of symbolism to the gatherings. The change in elevation, overlooking both sides of the divide.”
One notable project Hayriye contributed to was Rooftop Thursdays. Hayriye: “Initially, it began as a platform for live music nights, where we organized rooftop concerts bringing musicians from both sides of the divide together. These events offered a unique perspective as the rooftop location provided a bird’s-eye view of both sides, adding a layer of symbolism to the gatherings. The change in elevation, overlooking both sides of the divide, and the proximity to the UN across the way, created an immersive experience for participants. The space became a canvas for artists, attracting not only local talents but also renowned musicians who were keen on performing in the buffer zone. The rooftop setting became a catalyst for diverse artistic expressions. Beyond music, we hosted film screenings, including a short film festival, and even a theatre play adaptation of “Waiting for Godot” in Turkish Cypriot and Greek Cypriot dialects. The rooftop’s proximity to ambient sounds, like church bells and Muslim prayers, intertwined with the performances, creating a dynamic interaction between space and art. The intimate setting of the rooftop encouraged participation. Without having a backstage area on the rooftop, musicians became part of the audience between performances, fostering easier interaction and collaboration.”
“The rooftop’s proximity to ambient sounds, like church bells and Muslim prayers, intertwined with the performances, creating a dynamic interaction between space and art.”
Unfortunately, Rooftop Thursdays had to be discontinued due to safety regulations restricting group access to the rooftop. Hayriye explains, “Because of the building’s listed status, making alterations for safety, like raising railings, is restricted. However, we continue our activities in alternative spaces, adapting to the challenges. Live music nights persist, sometimes outdoors in summer and indoors during winter, ensuring the spirit of our events endures.”
Anne inquires about the possibility of utilizing other rooftops in the city for similar initiatives. Hayriye acknowledges, “It’s a possibility we’ve considered, and projects during the Buffer Fringe Festival explored rooftops across the divide. However, logistical challenges, including capacity and funding, hindered these ideas. While it’s a regret, it remains something we may explore further in the future.”
Regardless of the challenges faced using the rooftop as a space for intercultural connection, Home for Cooperation continues to be a beacon of unity, evolving its projects to ensure the spirit of connection and artistic expression endures within the divided cityscape of Nicosia.
